10/16/11

Untitled

There's a bit too much milk
in the chocolate here. 
They don't understand when
I say cacao just
how deep from within me
the sound of it comes. 
They don't know what its like
to put a spot of
darkness on their tongues
and just let it sit there
melting...for...hours. 
Instead they say things like
"Boy, da girl rel sweet. 
For a negro girl." 
Sugar is poison and
cocoa butter makes
all dark choc'late smoother. 

All they taste here
is so much bitterness.

8/22/11

Tinder Box

By all means;
kiss me tinderly, mother-bird.
for too long now there's been
a tree growing in me
so thirsty for last season's rain
that its leaves are all yellowed
and its boughs are growing withered.
Place your scavenged twigs
into its deepest crooks.
Weave them loosely as you like.
Line them with fruit peels
and fragrant petals.
Make a nest for yourself
just here
where the wind can push all it likes.
You'll be comfortably preening your feathers
through most every storm.

And should some day an hurricane blow,
one of those cleansing squalls
who's winds and rains
make the ground into porridge
and uproot that dry old tree;
then I'll cleave to the heart
of the fallen trunk
and from the wood there I'll make a box
where I can place what's left of
     --your gathered twigs
     --your fragrant petals
     --your cherished fruit peels.
A box where I can keep
your tinder kisses.

     Have I ever told you
     how much your touch is like
     striking flint?

5/5/11

Kevin

(Inspired by ToTO's Catch a Fire prompts for June 2011)

When I was a boy he had
not hands but
cords of muscle,
sinew, tendons,
richly vibrating strings of flesh
filled with liquid-fire spirit
brimming at the eyes.
Even saw it spill out once
when they wouldn't let him hold his son.

He was the fire in our home.
The uncontrollable element
in our family's Feng Shui.
Made winter times bearable,
shielded us against tedium and cold
just from the sound of
     --Hip-Hop blaring;
just from the sound of
     --maniacal laughter;
just from the sounds of
     --the outrageous things he would say. 
Other times, he was just
a fire in our house
and it would break my grandmother's heart
just to think of putting
her youngest son out.

Saw him shave his head once
in the bathroom mirror
between rounds of Tekken.
Saw him give me a look
that was all confusion and anger.
"You scared?  Why you scared?"
Saw it spill out more than once.
Saw him cover from view,
too late,
a mound of Cocaine
the size of his hustle.

Heard a rumour he was dead.
Heard a rumour he was living
somewhere in Mexico or
Guatemala or
some place he had no business being.
Heard him say he hated the medication.
Heard he was taking up meditation
but only ever saw him staring
out a dirty window
on the wrong side of the bed.
That's not Zen.
That's Benzodiazepine.

"That's not how life works",
Hear my mother say when
he showed up to her office
smelling like three weeks on the street
And ready for whatever job she had.
Heard his cousin tell him
"Look, even my dog have to bark to eat."

Now that I'm a man with
not hands but
cords of muscle,
sinew, tendons,
quietly vibrating strings of flesh
brimming with spirit
like so much smoke,
sometimes you can see it
just at the eyes
when I dream of
what it would be like
to not rely on rumours,
but to have him close
without his fire dampened,
but with a mended spirit
and a heart the size and shape
that his son must be by now.

4/12/11

Twelve and Nine: Part 3

Wally's mother gave him twelve dollars. She had him count it three times. A five; a two, two dollar coins, and four shillin. 'I could have di shillin?' he asked each time he finished counting, each time interrupting her grocery list. He knew it by heart by now though. It was the same thing every Saturday: Beans, flour, rice. She didn't tell him but he knew when he came back there'd already be a dead chicken on the table. It would be one of the chickens they let roam in the alleys. It would also probably be one of the ones he'd named, which was why he was going to the shop now, while she wring its neck. Eating his pets didn't bother him so much when he couldn't recognize them anymore. Once, though, his mother had made the mistake of scooping up a peel-neck fowl and dispatching it right in front of Wally. The boy cried for days.

“Yuh musn't tink ih soffy-soffy.” Explained Miss Pearl. She baked bread on Sundays and Wally's mother would always bring back a few loaves in exchange for some eggs, and some motherly advice. “The things dat po lee bwai done sih at such a young age? All the violence around here, and his father...Chile just feel good he still have some kinda consideration for gods creatures, yerr?” It was with this in mind that Wally's mother always included the four quarters. She didn't say it, but Wally set off for the shop every Saturday, knowing they were for him.

Jun-Jun knew where it was hidden. He'd seen it taken from its hiding spot and put back there countless times. It wasn't his. He didn't bother asking for it, he just took it. It was the same thing, every time. The boys would find him in front of the shop when they'd come to buy their papers. He'd have just managed to scrape up enough coins for something to eat when they'd hold him by the back of the neck and rifle through his pockets. And the only reason they got away with it was because they were older than him. Bigger. Closer to being called men. But Jun-Jun was already a man. They couldn't just disrespect him like that, just because they said they were from 'Back-a-alley' didn't mean they owned the damn place. They'd slap his face and cuff his head, but he wouldn't cry. He was a man. They had to respect him. He tucked it in his waist, under his shirt, and the weight of it made the back of his pants droop. They'd have to respect him.

Wally had the flour in its own bag hanging off the left side of the handlebars. He had the rice and the beans together in a bag hanging off the right side of the handlebars. He had seventy five cents worth of sweets overflowing his pockets and a long pink ideal hanging from his mouth. He was preparing himself in his head, getting ready to right himself on the two wheels and slowly start pedaling. The boys came up from behind him, walking in wide legged gates despite their baggy, sagging pants. As they walked past him, one on either side, one of them laughed. The other called out to him. “Peely-Batty-Pauly-Wally!” Wally smiled. The ideal dropped out of his mouth. He bent to pick it up.

Pop! Pop! Pop! Pop! Pop! That's what it sounded like. That and the sound of scuffling feet. Of sudden, frantic screaming from the shop just behind them. There was the popping and then there was the sound of an entire neighborhood in panic. In uproar. There was the sound of running, then stumbling, then falling. The boys from Back-a-alley didn't even know what hit them. They didn't even see the shooter. They heard the pops and their brains instinctively told their feet 'Flee!' They only got a few yards before their lungs gurgled and spurted blood. Their hearts said 'No more. No more. No.' There were the pops, and then there was the sound of plastic bags hitting the ground, weighed down by so many pounds of flour, beans, and rice. There was the sound of a bicycle falling, spokes and pedals clattering. Chain rattling. Then there were the same sounds in reverse as Jun Jun snatched up the bike. He walked with it a few yards before getting on, and even then he pedaled slowly. Perhaps he was waiting for the sound of respect. The respect he deserved. It sounded like people screaming. It sounded like a little girl running through back alleys. Running to give a mother even more bad news. Wally was 12. Jun-Jun was 9.

4/3/11

Racism in Belize

Its a lot like beans
cooking on a Sunday morning
in the biggest pot
in the kitchen
to be eaten Sunday Night
and all of Monday
and maybe even Tuesday
or Wednesday
if you can keep it fresh,
or for the rest of the week even,
if you know how to do it right. 
Its not just beans,
but rice and beans. 
Refried beans. 
Scrumptious egg and ham,
and some beans on the side
just so you know its there. 
Fried jacks or toast
smeared with beans,
or stuffed,
depending on how much of it
you intend to swallow.

And you don't even have to see the steam
jetting out of the pressure cooker
to know that there's a pot bubbling. 
You can tell,
sometimes even in dreams,
sometimes the very moment that
your eyes are opened to the real world,
or as the boys who hang out
under the house would say:
'Stop Sleep Up.' 
You can tell
by the invisible aroma
all around you. 
You can tell
by how it makes even
the bedroom sanctuary
that much hotter. 
You can tell
because no one wants
to be in the kitchen right now. 
Even the sister at the pipe outside
would rather scrape her knuckles
on the scrubbing board
than use the fancy new washer
mama get for dollar down
and deal with that heat. 
"It wash better anyway",
she says "And ih nuh bruk down
as often as da third-world piece a ting
so and so in deh."

And its happening. 
Even when faamly come visit
from New York or LA
and stand at the back door
fanning themselves,
too scared to go wander the street outside
and too naive to know why
the heat is so hot;
its happening. 
Its happening in houses where
the beans are red and shaped like kidneys. 
Its happening in houses where
the pots are filled with pintos and culantro. 
Happening in houses where
fat butterbeans melt enough to be ladled
over perogies. 
In houses where
the split peas get nice and thick,
and the pig tail meat falls
right off the bone. 
Where black beans stew in one pot
and bamboo shoots steam in another. 
The Secret to Good Chili
is a fresh jalapeno
(not the canned stuff)
and a tablespoon of Sharps.

3/17/11

Cherry

I'm always caught wishing
I could just hide myself.
Only, unlike those that
want to hold out until
the storm has passed and some
outside force tells them
'Its okay, little children.
You can come out now.';
I want to stay inside
even after that.
Even after after that.
I want to ball up and
hide until either the
world changes or I do.
And faced with the entire
spinning globe as my
stare-down opponent,
I'm pretty sure we all
know who's gonna be the one
to feel the sting of
mortality in their eyes
and blink.

So let me be the one
to change. If such a thing
is possible. Let me
be like the deluded
girls I knew in high school
who gave up all they had
to the world early, then
hid,
thinking they could grow back
their mangled purity.
And why not? Its just a
bit of flesh. Its just a
splash of blood. The pain will fade,
given enough time.
That's what we tell ourselves,
isn't it?


July, 2009
Creative Commons License


3/16/11

Poet's Braggadocio

I could take the disarrangement of stars
and fit the universe in my throat.
I could spit out constellations
and have them line up obediently on paper.

I could make metaphors
out of valleys of lava and sulfur
and cradle the unattainable in my arms
as if it had just been born
into the raw and tangible.

And i could do this all
with little more than an empty field,
the crushed,
bleached
and dried remains of a tree,
the feather of a bird
and something to dip it in for ink.

Yes,
my god loves me,
and he lets me borrow a little taste
of his power
in special moments
that I call inspiration.




Written sometime in July, 2009

2/8/11

See there, the Grackle

See there, the grackle
with its golden eye fixed tight
upon your delicious own?
See the scratching claws?
See the razor beak?
But most of all see the plumage.
They've made feathers out of inkwells.
Made down and flight out of blackest night.
They've taken sticky liquid fright and made it into a bird,
smooth and slick and powerful enough
to shrug off gravity itself.
See it slip between wind drafts
like a thief through louvers.
It is a thing of beauty
if you can brave staring into its golden eyes
while it stares into your delicious own.

See there the grackle.
See it rest on the perch above your head
too far to touch but too close not to be frightening.
See it puff to a size three times its own.
See it raise feathers along its everything,
along its very being.,
See its golden eye gleam brighter
and more darkly all at once,
see it seeing somewhere deeper
into its very own soul,
into that black pit that only black things see into.
See what mammals know as rage
written on both rigidly held wings.
See wrath spelled out on splayed tail feathers,
see the promise of vengeance for every hatchling
falling its nest before its time
from every public park tree you quietly watched them chop down.
See it open its jaws and reach down into itself
letting out a sound that danced on that line
halfway between funeral wail and battle cry.

Now see the grackle smooth itself.
See it make itself into an oil slick
resting carelessly on water.
See each feather go back in place
like children after curfew.
See it shrink, three times, to its own size
and see its eyes dull
to something more like a living thing
and less like something set afire.
Most importantly, see it forget,
as if it could never harm a soul.
As if the entire second stanza
has been just a cruel human work of fiction.
As if it could not possibly be capable
of feeling such rage.
See the outburst and the aftermath,
as if you were watching two different creatures.
Now see the sweet grackle turn to you.
And flex its dainty talons.

And when my son asks me
what we'll eat while in the forest
I'll show him the trees and their leaves and bark,
how to spot it at a glance and know good plants from bad.
And when my son asks me about women,
we'll talk about the birds and the bees.
This is how I see it.
He'll ask me questions too big for classrooms
and I'll point him to nature,
where all the answers present themselves to us
like open books.
And when my son asks me where his people are;
when he points to pictures older than I am and asks
where are all the dark, smiling faces
who used to drink cashew wine at parties
and make music with their own hands
and the things men throw away,
and where are all the people
who used to brukdown and bram,
the ones he's heard stories of,
the ones he reads of in his atlas.

I'll say: Look, son.  See the Grackle.
Really see it, beautiful and horrible as it is.
See its blue, brown, black plumage,
See its golden eye sizing up your delicious own.
See its rigid wings.
See its splayed tail.
See its sudden gentility.
Now see yourself.

If the grackle knew how
our mouths have been shaped as little children
and how they reached in past our gullets
so that we said the word the same way that we vomit.
Black.  We still say it like vomiting.
Like calling someone Black was the same as
leaving sick all over their shirts.

If grackles knew how much we hated their blackness,
they would lighten their feathers to grey. 
They would practice to sing the songs of other birds
in voices and accents that don't quite fit the strict patterns of Kiskadees,
but they would persist, painfully. 
Painful for everyone listening but none would be harmed more
than the grackles themselves. 
They would destroy that thing that made them grackles,
and instead they would be simple-minded mockingbirds. 

If grackles knew how frightening they were
they'd never smooth their feathers,
but wear them raggamuffin rugged
They'd fly only in threatening dives
and steal food from your mouths
and your children's mouths
the same way they do other grackles.
That's right, not even other birds would be safe.

And if grackles knew how frightening they were
perhaps they'd spend all their time
dipping into that pit in their gut
and acting only from their rage.
And perhaps then they'd be hunted, killed and caged.
Just like us.

2/7/11

Against the Light - Part 4

"Carl, I'm cold." She said in a tone that was nothing but fed up, and added a final sounding "Lets go home."
"Home?  But we just got out here."
"Yes, and had I known it would be this cold we wouldn't be here at all!"
"Aw Marie--"
"Oh Carl!  You can't even see!  Jesus!  There!  I've said it!"

She'd said it.  After months of dancing around the subject, months of flaring her nose and knitting her eyebrows at him, just to see if he would react.  When he bumped into the kitchen table for the fifth time in a row she'd pretended not to hear it from the next room.  When he came down the stairs one morning she told him that she didn't like the color of the t-shit he was wearing, that he should go change it.  She hadn't said anything about it being inside out.  And she would have told him off about giving all that change to that mediocre subway musician with the missing teeth.  She would have scolded his ear off from central Park to East Greenwich.  But he missed the guitar case.  And despite the satisfied smile he wore Marie felt his embarrassment.  Felt it at her own.  She could see it in his eyes.  At the very least they were still good for that.  Still wonderful windows for looking in through, is what she began telling herself when her kind, purposeful ignorance began wearing thin and the urban path-finding grew more tedious.  It lingered at the back of her mind but popped forward every so often, threatening to make its way down her throat and out her mouth but she refused to say it; to make any mention of it, as a kindness to him somehow.  To protect his pride and his dignity.  But now she was saying it, and he was suddenly aware of how long she hadn't said it.

"What is this?  What are you saying to me?"
"I'm saying this is pointless.  You're blind!  Lets go home."
"So I should give up then?  I can still see, Marie.  Shapes and colors maybe but I can still see."
"But Carl--"
"And while I'm ion New York I plan to see New York!"
"Carl you're blind!"
"Listen to you!  Listen to yourself!  If you've been holding this in for so long you might as well say what you really want to say; That I'm dying."

Marie said nothing.

"I'm dying, Marie.  There, now I've said it.  I've said what you're really afraid of.  I've acknowledged its existence, are you happy now?  The worlds still spinning!  The City's still Spinning around us!"
"Goddamnit Carl!" Marie seethed at the spectacle they'd now become.  Tourists were turning to them now, distracted away from the myriad lights to the old man waving his hands and shouting, but Carl just kept going.

"It hasn't changed a thing!  I've been dying all this while and it certainly won't make the ending any more pleasant if we pretend to be surprised when it comes!"
"Well you could bloody well act like it!"  She screamed back suddenly and Carl bellowed back a moan of frustration.  They were both shouting now, in Times Square.
"Act like what?  What the hell for?"
"Act like a dying man, for God sakes.  If not for mine then at least for your own dignity!"
"Dignity?  DIGNITY!"  Carl was throwing his hands in the air in mock resignation and in a sudden flash of a camera bulb he nearly lost sight of the grey, black and tan shape that was Marie, who had her hands on her cheeks in both dismay and as relief from the cold.

"I'm dy-ing, Marie!" Carl said, as if speaking to a child.  "Its one of those progressive verbs, It'll take a little while.  I aint dead yet so what's the use of turning in and burying myself?  Whats so dignified about that?"

And then, after forty years of letting his wife have the last word in any argument, Carl decided that this was the perfect time to storm off.  This, he hoped, would be his last chance to walk out on top, and so he did.  Marie called out to his back after he turned and started walking.  Carl pretended he couldn't hear her.  He pretended her shout of Carl, where are you going was distorted by some German tourist making impressed noises too close to his ear to be polite.  He pretended his wifes pleading of 'Carl, be careful' was blasted away by the horn of a yellow cab.  And when he heard her shouting 'Carl, you have to wait for the light!' he did his best not to let her see him flinch or see his shoulders tighten.  "No one waits for the damn light."  He muttered angrily and, emboldened by his own indignance, he stepped out into traffic.  Horns blasted.  Tires screeched.  Onlookers screamed.  The sound of the sudden bang made Marie's heart stop.  Miraculously, the vehicle hadn't struck Carl, but the other way arround.  Carl had slammed both fists into the blue and white bonnet just as it stopped about eight inches from clipping him at the knees, and for good measure he added a practiced "Ey!  I'm walkin' here!"

All his anger and bravery disappeared in an instant.  The blue and white shape of the bonnet suddenly gleamed red, then white, then red again, and Carl was suddenly aware of the swirling lights hovering just above the vehicle, and two darkly dressed men stepping out. 


Written in a weak hand

The following takes up two journal pages as its written mostly perpendicular to the page lines, in pencil, in a weak hand.
  • I wanted to see if writing hurts less than talking + it does
  • Want a whites
  • If you can find straws
  • Why did you all allow _____ to be the first thing I saw when I woke up
  • Later I want u to look and describe the scar to me
  • I still want gatorade + credit
  • straws
  • money is in purse want $60
  • print
  • my spine hurts too
  • Body causes fever in reaction to injury
There's something here.  Something that I can't put into words and probably can't express to anyone.  These pages are special to me.  Writing them down doesn't do it justice.

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