7/20/09

4 Train from Masholu Parkway to Grand Central (revised)

New York is written on the walls.

This steel and electric boogaloo glides on through the sky

weaving past brick and rock

and I see it there: barely legible shout outs.

The Boogie Down is getting up.

There's no green here. No gardens. No wildlife.

But like desperate weeds I see graffiti

climbing from the cracks and achieving

its own spiritual ascension.

It creeps up the side of apartment buildings

like its own version of central park Ivy.

It settles, gathers, and thrives in little nooks

like an east village garden.

And in some places it is tended to.

Places where the lines between rich and wealthy broadens

like the hips and lips and noses and accents

of those faithful gardeners.

They take precious care of their charges.

They fertilize them regularly while talking shit to the boys.

In the summer they let meringue play from open windows

And freestyle hip-hop from the front stoop.

Everyone knows gardens grow best when sung to.

They don't eat without eating among the Spanish Montana leaves.

They don't drink without watering the three foundations first,

Offering libations for all those that have gone before.
They care for the ever growing vines and brambles

with equally chaotic calculation;

pruning with whitewash, culling the rot

while giving reverence to the dead.

And in the spaces they make, new limbs grow stronger,

the blossoms bloom brighter,

and the graffiti gardens grow taller,

and taller,

and taller

out of the shadows.

Like everything else they strive to reach upwards.

Let Manhattan keep their copses and shaded paths.

The Village can have their occasional street corner trees

and guarded, gated gardens.

All that is fine for them who have clear days

and singing birds

and the ever present sun in people's minds.

Let them escape it if they want to.

The Bronx is so hungry for light.



7/14/09

Tired of Love Poems

read write prompt #83 « Read Write Poem isn't exactly the inspiration for this one, but it's what got me writing, so in a way they are responsible.


Hearts dance on my sideboard.
On my bed head.
On my kitchen counter.
Hearts loiter in the bathroom sipping Mai Tais
Beside the porcelain swimming pool.
Hearts leave a disgusting, sanguine sheen
as evidence of their having been
on every usable surface in the house.

I am so sick of love poems.
I am so sick of having recently re-grown my heart
only to have it pound so fast and so hard
that it muscles through the bars on its cage
slumps down my shirt and onto the page,
greets the world with little arterial limbs,
and either immediately starts to dance
to the music of your memory or
Runs off through an open window or door
and gets lost in the street;
lost in so many different ways,
lost trying to get to wherever it is you've gone.

And I'm tired of dishonoring you
with a nightly seance involving me,
a bottle of rum, and a host of elated little blood pumps.
And the spirits we raise are only tricksters.
They're not you.
They smile too much and are happy too often
to really be you.
But still, I swallow their lies whole.
And I stay up all night long
wrapped in the warm fur of insincere memories
and remain thankful for the lack of acuity
that comes with the lack of sleep.

By the time your smile embarks
on its flaming course through the sky
I'm already tired.
I miss you.
But I'm tired of missing you.


I might have a hard time convincing you that I never know what'll come out when I write, but you'll have to take my word for it when I say I didn't know what I was doing when I wrote this one. I mean, Wow. Who the fuck died, right?

7/7/09

The Fortunate End of Jonas Blackheart: An aside.

There are dozens of other stories born of each great or minor tale we tell. Stories that travel in directions other than that of their parents. Like embers from a fire, these asides are often overlooked, but hold within themselves the potential for a beautiful dance of flames, or a horrible conflagration.

When Hook ordered his crew to bombard black tooth cove and take the fight directly to Peter and the lost boys, they also managed to incur the wrath of the mermaids who made their home there. A mermaid's wrath is a slow, painful thing. Perhaps, that has something to do with the nature of the creature.

The juvenile mermaid is hardly a threat to anyone. her teeth and claws are dull and her powers of allure ar like those of teenage virgins: unrealized at their worst, and undirected at their very best. Her teats are small and her hair too wild and short to distract from her shell shaped ears. They linger along the shore mostly, as all young sea dwellers know that this is the best place to practice hunting. The adult mermaid is fairly better off. her breasts are full and her hair luxurious, and in the water her speed and strength are unmatched. the elder Sea Hag, on the other hand, looks precisely as frightening as on would imagine, though not because she is ugly. After about a century or so the sea turns her hair a pale green and her breasts sag, though she still has dark, round nipples which certain men find alluring the way a wet tongue exploring bright red lips can distract the mind from the absense of teeth, or the way the smell of cheap perfume on a lady of the night can cause lust and curiosity to override disgust or self-righteousness. No, the Sea Hag is terrifying because, for as much as she is obviously inhuman, to a man longing for shore, she is irresistably beautiful.

The Hag also has a voice, one which defies simple description. Simply put, it is the kind of voice that can cause as much as five fine, regular men to cast off the thrill of battle to clamor quickly and stupidly into the sea. "MAN OVERBOARD!" The call came racing along the ship. By the time the crew had gathered for the rescue three of the men were already eaten. A fourth man, the salty brigand known as Jonal Blackheart, was seen in the water laughing and weeping simultaneously as the mermaids surrounded him. Four of them swam with him at the surface. Their hands carressed his sun-beaten skin. Their teeth sunk deep into the flesh of his chest, his belly, and his legs. A single hand grasped passionately at his matted hair. Later, at his wake, the men would remember that the tho only time jonas had responded to something with anything more than a miserable grunt was that day. "Don't save me, gents" he'd manage to say just as he kicked away the buoy and rope meant to save his life, or at least give him hope. "Oh god. Oh heaven. Oh hell what awaits me! If ye could feel what I'm feeling ye'd beg for the same. Don't ye dare save me!"

For Jonas the sky, the sea, and everything around him had grown exceptionall bright at that moment. Several points of light danced before his eyes. The feel of the mermaids' hands reminded him of a time long ago, when he'd had too much to drink in Tortuga and the bar wench had allowed him to sleep it off by burrying his beard in her mountanous bossom. It was the only act of affection he'd ever been shown, and in his secret mind Jonas called it love. The feel of their mouths on his flesh was something immensely better. The saltwater burned his eyes, the pressure hurt his ears, and each breath of brine was like fire in his lungs. It was all so exquisite, even as the dancing points of light faded into the stark white glow of death.

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